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Yannick Dauby 澎葉生，1974年出生於法國，自2007年起，移居台灣也在此工作。
他大約在1996年左右開始對聲響的訓練，研讀 Tape 音樂 (musique concrète in French)，探索關於磁帶、類比合成及音響上的滿足。
然而，當他走出戶外後，真正好玩的事情才開始。他從1998年開始田野錄音，在遠離家鄉的旅行中，他捕捉環境中的聲音、車水馬龍的喧囂、動物之間的鳴叫以及不尋常的聲響現象，這些是他最喜歡的素材，有時候會將這些珍貴的聲音資料出版成黑膠膠盤或是做成聲音文件或是音樂作品中的蒙太奇素材。
在舞台上，他利用以錄製好的聲音、模組合成器和電腦來即興，經常與其他的聲音藝術家、現代舞者（2007年開始為臺灣驫舞劇場作配樂）或是視覺藝術家（如與藝術家蔡宛璇的風景創作）一起合作，以透由聲音裝置對音響空間的感察作實驗。他活躍的音樂領域包含了個人創作、表演及黑膠膠盤。 (文字介紹來源)
Yannick Dauby is a french sound artist based in Taiwan since 2007. He relentless explores the soundscapes of his adopted island through field recording, audio documentaries and community projects. He also composes electroacoustic music and he often found performing live using found objects, analogue devices and digital processing. He has created soundtracks and sound environments for contemporary dance, public art and films as well as being involved in various ecological and local traditional activities.
Dauby stayed in Peng-Hu, an archipelago located in the Taiwan Strait during several months in the first half of 2013. His daily activities included beachcombing, study and documentation of the reef animals, field recording, some teaching and also composing musique concrète in a temporary and probably the first experimental music studio, settled in Shili, a narrow village just between the inner and outer seas. From this old building he hear the seashores and announcements of the itinerant sellers as well as the rituals from a temple nearby.
Immersed in this natural and cultural environment, Yannick composed the two sides on this record, using the sounds of the underwater fauna, the omnipresent waves, soundscapes of harbours, music played during funerals, shortwave radio broadcasts , in-site or indoor improvisations using old artefacts collected on the beaches and various sessions using analog electronic instruments. This LP becomes kind of a aural sketchbook of his stay and wandering in these islands on the invitation of the Penghu Citizens Foundation (海洋公民基金會籌備處).
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