|
|
|
在 Sufjan Stevens 的音樂歷程中，他總是將生活的主要和次要相互交疊，模糊那些感性與理性之間的界線，用私密且優雅的方式呈現不可衡量的失落。
《Javelin》是他暌違三年的最新作品，也是自 2015 年那張大受好評的《Carrie & Lowell》之後首張回到我們最熟悉的民謠狀態，就像是一幅自畫像，用細緻、樸實卻豐富的歌曲闡述他這 25 年來的音樂生涯，合唱、管弦樂和電子音樂等... 這些一路以來使用過的總總都出現在新專輯中，成為了一張壯觀的作品，同時提出了對愛情、關係中的反思，看到了脆弱的他也看到了自己；實體專輯包含了一本 48 頁的 art book（拿起來有非常有重量），裡頭有 Sufjan Stevens 的 10 篇短文，就像是形成《Javelin》的最後一塊拼圖。
順帶一提，專輯中的最後一首重新詮釋了 Neil Young 的《There s a World》。
Over the course of his career, Sufjan Stevens has blurred distinctions between the major and the minor, between the details that color our existence and the big events that frame our lives. He has turned historical footnotes of States into kaleidoscopic pop, and rendered the immeasurable grief of loss with intimacy and grace.
His new album Javelin—Sufjan first solo album of songs since 2020 The Ascension and his first in full solo singer-songwriter mode since 2015 Carrie & Lowell—bridges all these approaches. Sufjan uses the quietness of a solitary confession to ask universal questions in songs we can share communally.
Where The Ascension, lauded by The New York Times as “a cry of despair and prayer for redemption,” used ornate but urgent electronics to square up to its moment, Javelin begins more like a self-portrait, detailed yet plain. Yet whether listened to individually or as an album, these 10 songs become something much bigger, the entire experience of Sufjan 25-year career expressed in four-minute bursts. Choral, orchestral, and electric wonder: it all shows in Javelin, all of it animating these songs as full spectacles. In each song we hear the vulnerability and candor of quiet starts, then Sufjan raising the stakes.
At times, Javelin has the feel of a big team album production—but it is decidedly not: almost every sound here is the result of Sufjan at home, building by himself what sometimes feels like a testament to classic 70s Los Angeles studio recording sessions. There are indispensable contributions from a close circle of friends; the harmonies of five singers who afford Javelin so much frisson: adrienne maree brown, Hannah Cohen, Pauline Delassus, Megan Lui, and Nedelle Torrisi. Bryce Dessner plays acoustic and electric guitar on “Shit Talk.” And, of course, Neil Young wrote the tender and mystic closer, “There a World.”
And speaking of the world: there is a permeable sense of world-building imbued in every corner of Javelin, especially in the 48-page book of art and essays that accompanies the album. With a series of meticulous collages, cut-up catalog fantasies, puff-paint word clouds, and iterative color fields, Sufjan builds order from seeming chaos and vice versa. And toward the middle of it all are 10 short essays by Sufjan, another window into the process that informed Javelin.
On Javelin, Sufjan returns as we may know him best, offering vulnerable reflections on love and relationships, so that in listening we may see ourselves more fully.
credits
|
小白兔官網
