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  1. Cigarettes After Sex
    I.

  2. 阿飛西雅 APHASIA
    提去買藥仔 Take it, You Need Medicine

  3. 美秀集團
    Sound Check

  4. 阿飛西雅 APHASIA
    失語的鱷魚社會

  5. 雀斑 Freckles
    不標準情人 Imperfect Lover

  6. Cigarettes After Sex
    I. (12

  7. 滅火器
    衝啦! (經典重發)

  8. DSPS
    我會不會又睡到下午了 Sleep till Afternoon

  9. Sleep Party People (夢遊派對人)
    Floating (懸浮)

  10. Cigarettes After Sex
    I. (Cassette)

  11. 落日飛車 Sunset Rollercoaster
    芭莎諾娃 Bossa Nova

  12. V.A(合輯)
    LOBO 4 蘿蔔四代

  13. 川秋沙(Goosander)
    人造沙洲 (Artificial Shoal)

  14. Explosions in the sky(天空爆炸)
    The Wilderness (無人之境)

  15. Hello Nico
    閉上眼睛

  16. DIIV(深潛樂團)
    Is the Is Are (是的是吧)

  17. DYGL
    Say Goodbye to Memory Den

  18. Thundercat
    Drunk

  19. 白目 White Eyes
    可笑的一天 新歌加精選

  20. 血肉果汁機 Flesh Juicer
    黑訊息

 

 

 

年份 2017
藝人 Royal Wood
專輯   Ghost Light (CD)
廠牌   Outside music
樂風   Alternative, Folk, pop

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There are various explanations for the term ghost light in relation to the world around us. There is the supernatural narrative – that every theatre has a ghost, and that when the light isn t lit, the darkness provides a chance for the dead to haunt us. And then there is the Royal Wood version of GHOST LIGHT. The kind that lets someone truly shine from within– raw, honest and open…. and that s why he has named his new record after this mythical glow.
“This album for me was a full return to writing and recording simply for the joy of creation – like when I was a kid. A true letting go and allowing,” says Royal. “I jumped around from instrument to instrument in the studio; playing piano and guitar solos, bass, keys, percussion, anything and everything I could get my hands on.” In fact, Royal played on almost 90% of the record, with a few artists like Hannah Georgas and Felicity Williams (Bahamas) adding their special blend of talents along the way. It was recorded in both Los Angeles and Toronto, with Bill Lefler and Royal at the production helm.
The result is an album that exudes raw emotion and emanates a feel of the songwriters of the sixties and seventies. Without modern day studio trickery like auto-tuning and digital perfection, the album is warm, inviting and completely forthright. “I felt like on this album, I snuffed out the external Ghost Lights, and allowed my internal light to glow instead,” says Royal, “this allowed the spirits of my past, present and future into the room to guide me along my artistic path.” The first single Long Way Ouexemplifies this definitive focus of the record. Its gripping and melodic and screams with sincerity.



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