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年份 2019
藝人 Qasim Naqvi
專輯   Teenages (CD)
廠牌   Erased Tapes
樂風   Ambient, Electronic, Experimental

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紐約低限三重奏 Dawn of Midi 成員 Qasim Naqvi 首張專輯,耗時兩年自製了由電壓控制聲響的合成器並透過它來創作,讓機器自主地與內建模組對話,如同一個由電子訊號組成的樂團。Qasim Naqvi 在合成器的變化裡,謹慎且細緻地捕捉了電子聲響的渲染力。

節奏從快速、碎片化逐漸加強,展現不同的情緒氛圍,〈Palace Workers〉扭曲緊張的底噪、〈No Tongue〉與音符交織的明亮氣息、〈Artilect〉不安的聲響則暗示了人工智能的潛在威脅,標題曲〈Teenages〉像色彩繽紛的交響曲拉提全原作至巔峰。

使用一台自主互動的機器創作,當模組愈加成熟,它開始違背作曲家的指示,提供意想之外的結果,這就如專輯標題的「青少年」,叛逆卻無比動人。

This album is one singular synergy between Qasim and his machine within a broader milieu of sound, also explored by contemporaries Sarah Davachi, Alessandro Cortini, Caterina Barbieri and also the forefather, Morton Subotnick. At points tonal, textural and rhythmic, over six evolving and growing audio organisms, the album flourishes upwards in stages, from initial micro-sonics to something bigger, brighter and anthemic.

This is Naqvis first non-soundtrack release, having previously established himself as a renowned composer for dance, theatre, film and installation-based art, not to mention his role as drummer in lauded trio Dawn of Midi. According to Naqvi, “my past releases like Chronology, Preamble, Fjoloy and Film were made to accompany visual mediums. The music was always written to enhance another form. Teenages is the first album with its own motivating force. Its a live multi movement work that I recorded for myself.”

With Teenages, Naqvi summoned all the material on an analog modular synthesizer – a voltage-controlled sound generating system comprised of multiple modules. Naqvi built this synth over the course of two years and amassed a collection of works for this album.



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