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New Arrival Billboard WWR Features Artists Music Style Label Goods 0件商品結帳付款
  1. FunkyMo
    物件,所在

  2. 宋冬野
    安和橋北 (日版)

  3. 草東沒有派對 No Party For Cao Dong
    醜奴兒

  4. HYUKOH & 落日飛車 Sunset Rollercoaster
    AAA (Marbled Vinyl)

  5. Wet Leg
    moisturizer

  6. 透明雜誌
    透明雜誌 Forever (2020 再版)

  7. FunkyMo
    物件,所在

  8. V.A(合輯)
    LOBO 4 蘿蔔四代

  9. 草東沒有派對 No Party For Cao Dong
    瓦合 The Cold

  10. 惘聞 Wang Wen
    追幸福的人 Clap Your Hands - Original Motion Picture Soundtrack

  11. Wong Faye 王菲
    唱遊 チャン・ヨウ (歌あそび) ~スペシャル・エディション (日版)

  12. HYUKOH & 落日飛車 Sunset Rollercoaster
    AAA

  13. HYBS
    Making Steak (Transparent Blue Vinyl)

  14. 陶喆 David Tao
    Im OK

  15. Wet Leg
    moisturizer (Clear Vinyl)

  16. 陳嫺靜 Hsien Ching
    如果每天都可以 happy happy 誰想要sad:)) – 一起去度假

  17. 透明雜誌
    我們的靈魂樂 - 2020 再版

  18. Little Simz
    Lotus

  19. 惘聞 Wang Wen
    看不見的城市 Invisible City - 2025 reissue

  20. Hiroyuki Ohashi 大橋裕之
    音樂 完全版

 

 

 
Immix Ensemble & Vessel
Immix is lead by Australian-born composer and sax player Daniel Thorne. The now Liverpool-based artist has a genuine passion for exploring and creating music in a diverse range of forms; composed and improvised, acoustic and electronic, and the various shades in-between. Founded in 2014, the idea behind Immix has been to galvanise the innovative musical voices from across the country. With the addition of Vessel, the moniker of Bristolian electronic composer Sebastian Gainsborough, Immix found a valuable first partner in exploring forward-thinking composition that slips between the cracks of traditional and contemporary styles. A stalwart of the UK experimental electronica community, Vessel s solo work has received critical acclaim for it s post-industrial, visceral tone, using a sonic palette derived from the creation of home-made instruments, aiding in the creation of his signature nonreplicable sound. Transition, the collaborative release of Immix Ensemble and Vessel focuses on the theme of technology. Musical instruments are a somewhat technological anomaly in that they are rarely updated after their conception, often only receiving minor tweaks over the course of hundreds of years. As such, each instrument provides us with a snapshot of the cutting edge technologies of a particular time and place – in this sense, the instrumentation used by Immix provides us with snapshots of technologies that can be traced back as far as 1500BC. Taking these snapshots as a starting point, each movement in Transition features one or two instruments, and, thematically, explores a significant invention or discovery that took place at around the same time as the invention and development of these instruments. Collaborating with Vessel updates this technological chronology by including the tools of the digital age. “A remarkable new piece of music” – Mary Anne Hobbs, BBC 6 Music
Immix Ensemble & Vessel
Transition
599

 



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