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年份 2023
藝人 Hania Rani
專輯   Ghosts (CD)
廠牌   Gondwana
樂風   Ambient, Electronic, Modern Classical, Neo Classic, Piano, Soundtrack

599 目前無存貨!



「所有的歌曲都是幽靈」,徘徊於虛實之間,既抽象又與記憶羈絆。

Hania Rani來自波蘭,以鋼琴演奏為主,學院派的她自Covid-19疫情後開始自己創作,首張作品《Esja》簡單的旋律有種無限的空間和時間感,從古典音樂的啟發,到生活中感受到色彩、情緒或圖像的靈感,依此延續第二張加入歌唱的孿生專輯《Home》,到去年的最新作品《Ghosts》,更進一步的融入合成器效果。

她的鋼琴就像投射出杳無人跡的山脈雪景,抑或是穿透微風的晚秋暖陽,短短的幾年,Hania Rani的創作方法具備感性與理性,《Ghosts》從她出生地理歷史的象徵意味,到多重而模糊的符號特性,包括新的技術聲響跟以往作品不同,卻不會感到突兀,反而越加發展了她的個人特色,曖昧的主題也似乎更能引起共鳴,每個聽眾都可以擁有一個關於”Ghosts“的想像地帶。

推薦給7月熱到曬昏的朋友,以及喜歡Nils Frahm、Olafur Arnalds,甚至是Thom Yorke的粉絲。

Hania Rani announces her new album, Ghosts, bringing her songwriting and beautiful vocals to the fore and featuring special guests Patrick Watson, Ólafur Arnalds and Duncan Bellamy (Portico Quartet).

Ghosts is the sound of an ever-evolving artist and, just as the album s title suggests she passes repeatedly and gracefully between musical worlds: as composer, singer, songwriter, and producer. This album builds on Rani s earlier successes Esja and Home with an expanded yet still minimal setup of piano, keyboards, synths (most importantly her Prophet) and features more of her mysterious, bewitching voice. Its spirit is warm, beckoning one into an ambitious double album that unfolds at an exquisite pace, informed by her revelatory, exploratory live performances.

Ghosts is also an album of collaborations as Rani is joined by Patrick Watson, who breathes unearthly life into the ethereal "Dancing with Ghosts". "Whispering House" is written and recorded with her friend, Ólafur Arnalds and casts a peaceful, ineluctable spell; and Portico Quartet s Duncan Bellamy contributes vital loops to "Don t Break My Heart" and "Thin Line".

Rani s lyrics are partially inspired by a two-month residency in a small studio in Switzerland s mountains, where Rani was working on the soundtrack On Giacometti for a documentary about the renowned Swiss artist. “Where I stayed was once an old sanatorium in an area which used to be very popular, but now there are huge abandoned hotels where the locals say ghosts live. I mean, it is kind of a local belief system – these ghosts even have names! – but once you are deep into nature or some abandoned place, your imagination starts working on a different level.”

“The edge of life and death,” Rani summarises, “and what actually happens in between: this was what really interested me. Even singing the word "death
" was quite a shock. It is such a weird word to say out loud, and people are afraid of it, which I found extremely interesting. Most of the songs probably still talk about love and things like that, but Ghosts is more me thinking about having to face some kind of end.”



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