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年份 2024
藝人 Franz Ferdinand
專輯   [預購,2025 一月發行] The Human Fear (LP 12")
廠牌   Domino
樂風   Art Rock, Indie-Rock, Post-Punk

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《The Human Fear》11 首曲目圍繞在人類內心的種種恐懼,如何克服與面對並且進一步推進我們的人生,新專輯維持了 Franz Ferdinand 的經典聲音,展現了最直接、最輕快且充滿生命力的一面。

Produced with Mark Ralph, who previously worked with them on their 2013 album Right Thoughts, Right Words, Right Action, the album showcases Franz at their most immediate, upbeat and life-affirming, unashamedly going for the pop-jugular in classic Franz style. Recorded at AYR studios in Scotland, the 11-songs on The Human Fear all allude to some deep-set human fears and how overcoming and accepting these fears drives and defines our lives.

Ever since their beginnings, throwing illegal parties in condemned Glasgow buildings, Franz Ferdinand have been defined by a fresh, unfading, forward-facing outlook, a transgressive art-school perspective, but with a love of a big song and The Human Fear undoubtedly continues in this tradition; distinct yet new, musically, and creatively its a record eager to push forward. Pretty much all written before they hit the studio, the idea was to have a songbook ready before they started recording and once in the studio it was all quickly executed - a lot of it recorded live with the band in the room and many of the vocals on the album being the original takes.

The first studio album to feature members Audrey Tait and Dino Bardot, the record also sees Julian Corrie step forward to collaborate with Alex Kapranos and Bob Hardy on song writing and creative duties.

A band for whom the aesthetic and style is almost as important as the sound, as ever the importance of this is reflected in the cover artwork which was inspired by Hungarian artist Dóra Maurer self-portrait 7 Twists - Maurer work appealed because it does exactly what they want from their music: a striking immediacy that is impossible to ignore, but with a depth and vulnerability that bears many returns and satisfactory repetition. Maybe this is a set of songs about fear, maybe this is a set of bangers from an era-defining band continuing their unquestionably living legacy. Is that something to be afraid of?



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