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年份 2022
藝人 Blockhead
專輯   The Music Scene (Opaque Teal Vinyl) (LP 12")
廠牌   Ninja Tune
樂風   Downtempo, Hip-Hop, Instrumental

850 目前無存貨!



與饒舌歌手 Aesop Rock 是老好友也是合作夥伴,前年也推出了專輯《Garbology》(CD、黑膠店裡有),他的樂器使用與取樣想像非常豐富,00s 聽嘻哈要聽過 Blockhead 的 Instrumental 作品才夠帥啦,記得那時候他還被稱為足以超越 DJ Shadow 的辣個人。

Blockhead has long made beautiful, emotive music based around the hip hop template, but on The Music Scene he elevates his craft to another level. Tony puts it down to the use of Ableton, which means that rather than working from “one basic beat and building off it” (the standard hip hop model), he has begun stringing together multiple beats and weaving them together into increasingly complex, surprising and satisfying pieces of music. As he himself puts it, “I made each song a little more of a musical journey than anything I have ever done before.”

Blockhead ambition to “tell stories without words” is evident from opener Its Raining Clouds onwards. The tune starts off as classic downtempo and ends up almost drum and bass, the music having changed and fallen away, echoing back through itself and feeding into previous themes at least three times - its an epic in an album of epics.

At the heart of the record is the remarkable The Daily Routine – an exploration of drug addiction (based around a found recording of drug addicts arguing), which Blockhead says is “pretty much the creepiest song Ive ever made”. Four Walls, meanwhile aims a musical broadside at the current vogue for autotune, whilst Which One Of You Jerks Drank My Arnold Palmer is huge ambient space rock hip hop. The Prettiest Seaslug is Bahia-beat on opium, Tricky Turtle begins as afro-blaxpoitation, turns into a voodoo orgy and ends somewhere in the Middle East, and Farewell Spaceman starts off sounding like an outtake from Bewitched and ends as an ecstatic, chugging flight off into the stars.

While The Music Scene represents a development in Blockhead work, he still holds true to his basic beliefs about music and rhythm. Whereas the music scene is “a bastardized version of something that was already watered down”, Blockhead The Music Scene, like his career as a whole, is “the opposite of that.” By re-working, chopping and melding samples, by blending them together, Blockhead restores rather than dilutes their purity.



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